Fragmented Loom 1 (gray, 2019) and 3 (white, 2020) both sold
Encaustic, oil on panel
48 x 12 x 1.75 inches each
I am attracted to looms for their complex simplicity. I love the interaction of line and plane, of warp and weft, in and out, up and down. Though I have no experience weaving (and maybe because of this void), the loom is, for me, a beautiful tool, a rhythmic instrument, a source of meditative repetition and mathematical pattern. I’m drawn to the physical gesture of weaving, the music of its motion. I embody these feelings and relationships as I approach the encaustic medium. With a X-Acto, I etch methodical, meditative and rhythmic lines into a soft plane of wax. Delicate lines emerge and fragment, binding the work together.
Fragmented Loom 14 (dark gray) and 15 (white) 2025
Encaustic, oil on panel
48 x 12 x 1.75 inches each
I am attracted to looms for their complex simplicity. I love the interaction of line and plane, of warp and weft, in and out, up and down. Though I have no experience weaving (and maybe because of this void), the loom is, for me, a beautiful tool, a rhythmic instrument, a source of meditative repetition and mathematical pattern. I’m drawn to the physical gesture of weaving, the music of its motion. I embody these feelings and relationships as I approach the encaustic medium. With a X-Acto, I etch methodical, meditative and rhythmic lines into a soft plane of wax. Delicate lines emerge and fragment, binding the work together.
Fragmented Loom 8
Encaustic, oil on panel
48 × 24 x 1.75 inches
I am attracted to looms for their complex simplicity. I love the interaction of line and plane, of warp and weft, in and out, up and down. Though I have no experience weaving (and maybe because of this void), the loom is, for me, a beautiful tool, a rhythmic instrument, a source of meditative repetition and mathematical pattern. I’m drawn to the physical gesture of weaving, the music of its motion. I embody these feelings and relationships as I approach the encaustic medium. With a X-Acto, I etch methodical, meditative and rhythmic lines into a soft plane of wax. Delicate lines emerge and fragment, binding the work together.
Fragmented Loom, 2021 (commission)
Encaustic, Oil on panel
68 x 28 x 1.75
I am attracted to looms for their complex simplicity. I love the interaction of line and plane, of warp and weft, in and out, up and down. Though I have no experience weaving (and maybe because of this void), the loom is, for me, a beautiful tool, a rhythmic instrument, a source of meditative repetition and mathematical pattern. I’m drawn to the physical gesture of weaving, the music of its motion. I embody these feelings and relationships as I approach the encaustic medium. With a X-Acto, I etch methodical, meditative and rhythmic lines into a soft plane of wax. Delicate lines emerge and fragment, binding the work together.
Threadline Echo, 2019 (sold)
Encaustic, Oil
18 x 72 x 1.75 inches on panel
The Threadline Series is inspired by visual observations made in my studio environment, in nature and on neighborhood walks: left-over loops of thread; a crisp white line in a dark gray rock; looms, stitching patterns; blades of grasses shooting out of a crack in a concrete sidewalk; a white chalk line on a slate blackboard; the play of light-on-metal in a box of freshly opened x-acto blades, textures and patterns found in nature.
Fragmented Loom 4 (sold) and 5, 2022
Encaustic, Oil
36 x 18 x 1.75 inches each, on wood panel
I am attracted to looms for their complex simplicity. I love the interaction of line and plane, of warp and weft, in and out, up and down. Though I have no experience weaving (and maybe because of this void), the loom is, for me, a beautiful tool, a rhythmic instrument, a source of meditative repetition and mathematical pattern. I’m drawn to the physical gesture of weaving, the music of its motion. I embody these feelings and relationships as I approach the encaustic medium. With a X-Acto, I etch methodical, meditative and rhythmic lines into a soft plane of wax. Delicate lines emerge and fragment, binding the work together.
Blond Wisp, 2017
Encaustic, Oil
34 x 34 x 1.75 inches
Print also available
Blue Wisp, 2018 (original sold) prints available
Encaustic, Oil
30 x 30 x 1.75 inches
Wisp 2, 2015 (sold)
Encaustic, Oil
14 x 22 x 1 inches
Threadline Wisp, 2017 (sold)
Encaustic, Oil
18 x 18 x 1 inches
The Threadline Series is inspired by seemingly insignificant visual observations made in my studio environment, in nature and on neighborhood walks – insignificant but (to me at least) visually arresting: left-over loops of thread lying randomly about; a crisp white line in a dark gray rock; looms, stitching patterns in fabric; blades of grasses shooting out of a crack in a concrete sidewalk; a white chalk line on a slate blackboard; the play of light-on-metal in a box of freshly opened x-acto blades, textures and patterns found in nature.
Ecco 7, 2018 (sold)
Encaustic, Oil
8 x 8 x 1.75 inches
Ecco 16, 2018 (sold)
Encaustic, Oil
8 x 8 x 1.75 inches
Threadline 7, 2017 (sold)
Encaustic, Oil
24 x 12 x 1 inches
Threadline 11 and 25, 2018 (prints available)
Encaustic, Oil
48 x 12 x 1.75 inches
The Threadline Series is inspired by visual observations made in my studio environment, in nature and on neighborhood walks: left-over loops of thread; a crisp white line in a dark gray rock; looms, stitching patterns; blades of grasses shooting out of a crack in a concrete sidewalk; a white chalk line on a slate blackboard; the play of light-on-metal in a box of freshly opened x-acto blades, textures and patterns found in nature.
Threadline 3, 2017 (sold)
Encaustic, Oil
48 x 12 x 1.75 inches
The Threadline Series is inspired by visual observations made in my studio environment, in nature and on neighborhood walks: left-over loops of thread; a crisp white line in a dark gray rock; looms, stitching patterns; blades of grasses shooting out of a crack in a concrete sidewalk; a white chalk line on a slate blackboard; the play of light-on-metal in a box of freshly opened x-acto blades, textures and patterns found in nature.
Threadline 11, 2017 (sold) print available
Encaustic, Oil
12 x 48 x .75 inches (can hang vertically or horizontally)
The Threadline Series is inspired by visual observations made in my studio environment, in nature and on neighborhood walks: left-over loops of thread; a crisp white line in a dark gray rock; looms, stitching patterns; blades of grasses shooting out of a crack in a concrete sidewalk; a white chalk line on a slate blackboard; the play of light-on-metal in a box of freshly opened x-acto blades, textures and patterns found in nature.
Threads, 2016 (sold)
Encaustic, Oil
36 x 24 x 1 inches on panel
Threads 3, 2015
Encaustic, Oil
6" x 24" x 1"
SOLD
Blue Threads, 2015 (sold)
Encaustic, Oil
12 x 20 x 1 inches
Burst 3, 2017 (sold)
Encaustic, Oil
12 x 24 x 1 inches
Burst 2, 2017 (sold)
Encaustic, Oil
20 x 40 x 1 inches on panel
Burst, 2014 (sold)
Encaustic, Oil
12 x 24 x 1.75 inches on panel
Threads Test, 2015 (sold)
Encaustic, Oil
12 x 12 x 1 inches on panel