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JENNY PHILLIPS

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 Antimatter 4, 2018  (prints available) Encaustic, Oil 24 x 24 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of

Antimatter 4, 2018 (prints available)
Encaustic, Oil
24 x 24 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

 Antimatter 5, 2018 (prints available) Encaustic, Oil 20 x 20 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of

Antimatter 5, 2018 (prints available)
Encaustic, Oil
20 x 20 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

 Dark Matter 9, 2018 Encaustic, Oil 20 x 20 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than

Dark Matter 9, 2018
Encaustic, Oil
20 x 20 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

 Dark Matter 6, 2018 (sold) Encaustic, Oil 24 x 24 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – on

Dark Matter 6, 2018 (sold)
Encaustic, Oil
24 x 24 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

 Dark Matter 8, 2018 Encaustic, Oil 20"x20"  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ult

Dark Matter 8, 2018
Encaustic, Oil
20"x20"

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

 Dark Matter 2, 2018 (prints available) Encaustic, Oil 18 x 18 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of

Dark Matter 2, 2018 (prints available)
Encaustic, Oil
18 x 18 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

 

 Dark Matter 4, 2018 (sold) Encaustic, Oil 24 x 24 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – on

Dark Matter 4, 2018 (sold)
Encaustic, Oil
24 x 24 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

 Dark Matter 01, 2017 (sold) Encaustic, Oil 8 x 8 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one

Dark Matter 01, 2017 (sold)
Encaustic, Oil
8 x 8 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

 Antimatter, 2018 (sold) Encaustic, Oil 24 x 24 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one t

Antimatter, 2018 (sold)
Encaustic, Oil
24 x 24 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

 Threading of Thick Woods, 2017 (sold) Encaustic, Oil 24 x 50 inches

Threading of Thick Woods, 2017 (sold)
Encaustic, Oil
24 x 50 inches

 Ecco 12, 2018 Encaustic, Oil 8 x 8 x 1.75 inches

Ecco 12, 2018
Encaustic, Oil
8 x 8 x 1.75 inches

 Threading of Thick Woods - test, 2017 (sold) Encaustic, Oil 12 x 9 inches

Threading of Thick Woods - test, 2017 (sold)
Encaustic, Oil
12 x 9 inches

 Sail, 2014 (sold) Encaustic, oil 24 x 24 inches

Sail, 2014 (sold)
Encaustic, oil
24 x 24 inches

 Chalk Weave, 2013 (sold) Encaustic, Oil 16 x 24 inches

Chalk Weave, 2013 (sold)
Encaustic, Oil
16 x 24 inches

 Line Weave, 2013 (sold) Encaustic, Oil 20 x 16 inches

Line Weave, 2013 (sold)
Encaustic, Oil
20 x 16 inches

 Crossover, 2017 (sold) Encaustic, Oil 18 x 12

Crossover, 2017 (sold)
Encaustic, Oil
18 x 12

 Antimatter 4, 2018  (prints available) Encaustic, Oil 24 x 24 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of  Antimatter 5, 2018 (prints available) Encaustic, Oil 20 x 20 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of  Dark Matter 9, 2018 Encaustic, Oil 20 x 20 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than  Dark Matter 6, 2018 (sold) Encaustic, Oil 24 x 24 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – on  Dark Matter 8, 2018 Encaustic, Oil 20"x20"  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ult  Dark Matter 2, 2018 (prints available) Encaustic, Oil 18 x 18 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of  Dark Matter 4, 2018 (sold) Encaustic, Oil 24 x 24 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – on  Dark Matter 01, 2017 (sold) Encaustic, Oil 8 x 8 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one  Antimatter, 2018 (sold) Encaustic, Oil 24 x 24 inches  The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one t  Threading of Thick Woods, 2017 (sold) Encaustic, Oil 24 x 50 inches   Ecco 12, 2018 Encaustic, Oil 8 x 8 x 1.75 inches   Threading of Thick Woods - test, 2017 (sold) Encaustic, Oil 12 x 9 inches   Sail, 2014 (sold) Encaustic, oil 24 x 24 inches   Chalk Weave, 2013 (sold) Encaustic, Oil 16 x 24 inches   Line Weave, 2013 (sold) Encaustic, Oil 20 x 16 inches   Crossover, 2017 (sold) Encaustic, Oil 18 x 12

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