Exhale, 2024
Monotype, waxed thread, Akua intaglio ink, Fabriano Rosaspina 220 paper
19.75 x 13 inches

I’m attracted to mundane and discarded everyday materials. Various types of netting have been a recurring obsession. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m inspired by the unraveling and tried to capture those moments.

Caught, 2024
Monotype, Akua intaglio ink, Fabriano Rosaspina 220 paper
12 x 12 inches

I’m attracted to mundane and discarded everyday materials. Various types of netting have been a recurring obsession. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m inspired by the unraveling and tried to capture those moments.

Carried Away 4, 2024
Monotype, Akua intaglio ink, Fabriano Rosaspina 220 paper
10 x 10 inches

I’m attracted to mundane and discarded everyday materials. Various types of netting have been a recurring obsession. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m inspired by the unraveling and tried to capture those moments.

Carried Away 2, 2024
Monotype, Akua intaglio ink, Fabriano Rosaspina 220 paper
12 x 18 inches

I’m attracted to mundane and discarded everyday materials. Various types of netting have been a recurring obsession. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m inspired by the unraveling and tried to capture those moments.

Carried Away 1, 2024
Monotype, Akua intaglio ink, Fabriano Rosaspina 220 paper
6 x 18 inches

I’m attracted to mundane and discarded everyday materials. Various types of netting have been a recurring obsession. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m inspired by the unraveling and tried to capture those moments.

Cast, 2024
Monotype, Akua intaglio ink, Fabriano Rosaspina 220 paper
25 x 32.75 inches

I’m attracted to mundane and discarded everyday materials. Various types of netting have been a recurring obsession. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m inspired by the unraveling and tried to capture those moments.

Whim 5, 2024
Monotype, Akua intaglio ink, Fabriano Rosaspina 220 paper
10 x 10 inches

I’m attracted to mundane and discarded everyday materials. Various types of netting have been a recurring obsession. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m inspired by the unraveling and tried to capture those moments.

Whim, 2024
Monotype, Akua intaglio ink, Fabriano Rosaspina 220 paper
4 x 4 inches

I’m attracted to mundane and discarded everyday materials. Various types of netting have been a recurring obsession. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m inspired by the unraveling and tried to capture those moments.

Snap, 2024
Monotype, Akua intaglio ink, Fabriano Rosaspina 220 paper
8 x 8 inches

I’m attracted to mundane and discarded everyday materials. Various types of netting have been a recurring obsession. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m inspired by the unraveling and tried to capture those moments.

Snap 3, 2024
Monotype, Akua intaglio ink, Fabriano Rosaspina 220 paper
6 x 12 inches

I’m attracted to mundane and discarded everyday materials. Various types of netting have been a recurring obsession. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m inspired by the unraveling and tried to capture those moments.

Whim 1 and 2, 2024
Monotype, Akua intaglio ink, Fabriano Rosaspina 220 paper
8 x 8 inches each

I’m attracted to mundane and discarded everyday materials. Various types of netting have been a recurring obsession. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m inspired by the unraveling and tried to capture those moments.

Netted Bag Series from Ordinary Exhibit, 2019
Watercolor on Canson Mix Media
14.75 x 14.75 inches (each)

I’m attracted to mundane and discarded everyday materials. Netted fruit bags have been a recurring obsession, and I love losing myself in the process of drawing the tangle of lines. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m also inspired by deconstruction and unraveling and tried to incorporate those concepts into my drawing.

Netted Bag 10, 2018 (sold)
Watercolor on Canson Mix Media
14.75 x 18 inches

I’m attracted to mundane and discarded everyday materials. Netted fruit bags have been a recurring obsession, and I love losing myself in the process of drawing the tangle of lines. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m also inspired by deconstruction and unraveling and tried to incorporate those concepts into my drawing.

Netted Bag A, 2019
Watercolor on Somerset
14.75 x 14.75 inches

I’m attracted to mundane and discarded everyday materials. Netted fruit bags have been a recurring obsession, and I love losing myself in the process of drawing the tangle of lines. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m also inspired by deconstruction and unraveling and tried to incorporate those concepts into my drawing.

Netted Bag B, 2019 (sold)
Watercolor on Somerset
14.75 x 14.75 inches

I’m attracted to mundane and discarded everyday materials. Netted fruit bags have been a recurring obsession, and I love losing myself in the process of drawing the tangle of lines. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m also inspired by deconstruction and unraveling and tried to incorporate those concepts into my drawing.

Netted Bag C, 2019
Watercolor on Somerset
14.75 x 14.75 inches

I’m attracted to mundane and discarded everyday materials. Netted fruit bags have been a recurring obsession, and I love losing myself in the process of drawing the tangle of lines. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m also inspired by deconstruction and unraveling and tried to incorporate those concepts into my drawing.

Netted Bag E, 2019
Watercolor on Somerset
14.75 x 14.75 inches

I’m attracted to mundane and discarded everyday materials. Netted fruit bags have been a recurring obsession, and I love losing myself in the process of drawing the tangle of lines. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m also inspired by deconstruction and unraveling and tried to incorporate those concepts into my drawing.

Netted Bag F, 2019
Watercolor on Somerset
14.75 x 14.75 inches

I’m attracted to mundane and discarded everyday materials. Netted fruit bags have been a recurring obsession, and I love losing myself in the process of drawing the tangle of lines. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m also inspired by deconstruction and unraveling and tried to incorporate those concepts into my drawing.

Netted Bag H, 2019
Watercolor on Somerset
14.75 x 14.75 inches

I’m attracted to mundane and discarded everyday materials. Netted fruit bags have been a recurring obsession, and I love losing myself in the process of drawing the tangle of lines. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m also inspired by deconstruction and unraveling and tried to incorporate those concepts into my drawing.

Netted Bag I, 2019
Watercolor on Somerset
14.75 x 14.75 inches

I’m attracted to mundane and discarded everyday materials. Netted fruit bags have been a recurring obsession, and I love losing myself in the process of drawing the tangle of lines. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m also inspired by deconstruction and unraveling and tried to incorporate those concepts into my drawing.

Netted Bag L, 2019
Watercolor on Somerset
14.75 x 14.75 inches

I’m attracted to mundane and discarded everyday materials. Netted fruit bags have been a recurring obsession, and I love losing myself in the process of drawing the tangle of lines. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m also inspired by deconstruction and unraveling and tried to incorporate those concepts into my drawing.

Netted Bag M, 2019
Watercolor on Somerset
14.75 x 14.75 inches

I’m attracted to mundane and discarded everyday materials. Netted fruit bags have been a recurring obsession, and I love losing myself in the process of drawing the tangle of lines. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m also inspired by deconstruction and unraveling and tried to incorporate those concepts into my drawing.

Netted Bag Z, 2019
Watercolor on Somerset
14.75 x 14.75 inches

I’m attracted to mundane and discarded everyday materials. Netted fruit bags have been a recurring obsession, and I love losing myself in the process of drawing the tangle of lines. The subtle distortions of the warp and weft create evocative forms, transforming a utilitarian object into something worthy of contemplation. I’m also inspired by deconstruction and unraveling and tried to incorporate those concepts into my drawing.